Gareth Lockrane started playing at the age of 10 and after raiding his dad's record collection discovered jazz at 14. Early influences included Cannonball Adderley, Miles Davis, John Coltrane, Charlie Parker, Bill Evans and Stan Getz on the jazz side whilst also being transfixed by the great blues-rock guitarists of the 60s and 70s as a child - Jimi Hendrix, Albert King, Eric Clapton and Buddy Guy continue to be major influences. On flute the initial main inspirations were saxophone "doublers" like Frank Wess, James Clay, Roland Kirk, Bobby Jaspar and James Moody and later on he fell under the spell of flute visionaries like Jeremy Steig, Eric Dolphy, Hubert Laws, Paul Horn and Eddie Parker amongst many others.
In 1994 he enrolled on the jazz course at the Royal Academy of Music in London where teachers included Stan Sulzmann, Martin Speake, John Thomas and Eddie Parker and where he struck up musical relationships with fellow students the Fishwick brothers, Tom Cawley, Osian Roberts, Orlando le Fleming and many others. In 1997, his band "The Jazz System" formed with Osian Roberts was a finalist in the Vienna Jazz Festival Grande Concours de Jazz. In 1998, he studied on the Lake Placid Jazz Course in New York with Joe Lovano, Dick Oatts and Jim McNeely and in 2000 was a finalist in the Young Jazz Musician of the Year competition.
Around this time he began to expand his flute family of instruments to include piccolo, alto and bass flutes as well as the standard C flute.
In 2002, he formed the band Grooveyard with saxophonist Alex Garnett which released a critically acclaimed CD "PUT THE CAT OUT" which went on to win the Best European Jazz Group award in the 2003 Granada Jazz Festival. Grooveyard completed a successful Jazz Services tour of the UK in 2005. Their 2012 album "THE STRUT" is the 'sequel' to PUT THE CAT OUT and has been released on the fabulous independent jazz label Whirlwind Recordings. "THE STRUT" was named "Jazz album in the year" in MOJO magazine!
From 2006, in search of some fresh musical challenges he enrolled on the prestigious MA course in film composition at the National Film&Television School,graduating in 2008.
He also founded his own septet which released the album "NO MESSIN" in 2009 and went on to win best album in the Parliamentary Jazz Awards that year. This band features Robbie Robson (trumpet), Steve Kaldestad (sax), Trevor Mires (trombone/euphonium), Robin Aspland - (piano) Matt Miles (bass) and Matt Home (drums).
He has formed his own big band, a fruition of all Gareth's musical interests - combining his cinematic influences of greats such as Jerry Fielding, Lalo Schifrin and Bernard Herrmann with the soul jazz and unrestrained improvisatory nature of Grooveyard and the intricate through-composed nature of his septet writing. Making their debut in the 2008 London Jazz Festival and influenced by, amongst others, Gil Evans, Maria Schneider, Kenny Wheeler, Jim McNeely, Thad Jones, Basie, Mingus and many more,the band blends heavy grooves and luscious orchestrations to spectacular effect. The band play almost exclusively Gareth's compositions and arrangements and released their acclaimed debut album 'Fistfight at the Barndance' in 2017.
As a sideman,Gareth has been involved in many diverse projects - as a key member of the late great Bheki Mseleku's group during his last years from 2005 to 2008 and also with the James Taylor Quartet, Phil Robson's IMS Quintet featuring Mark Turner, as a featured soloist with Tommy Smith's Scottish National Jazz Orchestra, Miguel Attwood-Ferguson, Laurence Cottle's Big Band, bands led by Asaf Sirkis, Michael Janisch, Brian Charette, Michael Kiwanuka, Xantone Blacq, Kate Williams,Bokani Dyer, Guida de Palma, Heritage Orchestra, Adam Glasser, Claudio Passavanti, Dan Messore, Patrick Cornelius, Sheryl Bailey, Callum Au Big Band, Simon Woolf, Incognito, Max Luthert, Georgia Mancio, Tristan Mailliot, Dave Preston, Nia Lynn's Bannau Trio, Hans Koller, Sirius B, Anita Wardell, Natalie Williams, Paul Booth, Gwilym Simcock Nonet and Big Band, Tom Richards Jazz Orchestra, The National Youth Jazz Orchestra and many more.
Gareth is also heavily involved in the music educational world, as course director of the prestigious junior jazz course at the Royal Academy of Music in London, as well as regularly teaching at degree and post grad level at the Royal Academy of Music, Guildhall School of Music&Drama and Trinity College of Music, and teaching flute at Kingsdale School in Dulwich. He also teaches regularly on the National Youth Jazz Collective courses across the UK, and every August on the residential Loire Summer School in France run by drummer extraordinaire Tristan Mailliot.
“the formidable Lockrane...a stunning display of sharp-accented runs, earthy whoops and constantly refreshed melodic ideas.” John Fordham,The Guardian
“...next big thing... since leaving the National Youth Jazz Orchestra,in which he was the star soloist, flautist Lockrane has become one of London's busiest freelancers. The lean and hungry Lockrane is the most exciting and inventive instrumentalist in the country.” Jack Massarick,London Evening Standard
“...Lockrane's flute work is exceptional, combining a relaxed fluidity on the one hand with an acute adventurousness on the other...” Peter Quinn, Jazzwise
“...there's no doubt who the main attraction is though: Gareth Lockrane wrote all the tunes and takes the lead on most of them. I have to admit that I’'ve never been that convinced of the case for the flute as a jazz solo instrument. Lockrane though is a specialist, and his approach has won me over – he’s a fluid and inventive improviser who avoids clichés and produces genuine excitement.....” Steve Baxter,Jazz views
“...Lockrane is an exceptional soloist with an improvisatory confidence that's quite startling...” Peter Vacher, Jazzwise
“...the main feature of this cd is that it strongly features the flute, an instrument which has still not achieved a firm foothold in jazz. If the brilliant playing of Gareth Lockrane is anything to go by, that state of affairs may change...” Dave Gelly,The Observer
“..Flute phenomenon!...” Jack Massarick, London Evening Standard
“a new star on his instrument” Jim Mullen
"That's not a flute, that's a lightsaber" Drunken jazz fan, Camberwell